My copy of Beaumonster

In his new memoir Beaumonster, Jesse Dayton delivers Outlaw Country tales in a fantastic manner from behind the scenes in the Outlaw Country, Punk, and Americana music scenes. Jesse is uniquely experienced to tell these stories as he, of course, lived them, but also is genre-defying, multi-platform artist that continues to deliver with each project he outputs.

Jesse’s music catalog has long been defined by his background and roots in Beaumont, Texas, yet his mind and spirit are encapsulated by his long-time residency in Austin. The old mantra of “Keep Austin Weird” comes to mind when I think about Jesse and how his career and music have evolved. With a knack for being in the right place at the right time (with the also right amount of hard work and dedication), Jesse takes the reader on a fascinating journey through his meetings and collaborations with Waylon Jennings, Johnny Cash, John Doe & Exene of X, Mike Ness of Social Distortion, Rob Zombie, the Supersuckers and countless others. It is great to see the curtain pulled back a little an to hear JD’s take on his experiences. That’s not to say this is some type of rumor-mongering, tell all, much to the contrary. In Beaumonster: Dayton delivers tales from his perspective with respect for his subjects and respect for the life of a traveling, gypsy musician. He even tells it like it is when it’s not so flattering to himself (see Dick Dale strings story).

One of my favorite parts of the book is the way Jesse shows his love for his wife Emily, his son Sam, and his other family. It is clear that family is important to JD, and he tugs at the old heartstrings by showing multiple ways how much he loves his parents, Emily and Sam, and many others.

It would not be a Jesse Dayton written word project without some political talk. If you follow him on social media, you know that JD is opinionated yet open minded to those who might disagree with him. In all fairness, I agree with most everything he said, although I tend to me a little further left. But, even in the political sections of Beaumonster, Jesse Dayton delivers his stories and ideas with humor and fun.

I first really became a fan of Jesse’s music on the inaugural Outlaw Country Cruise. Then, when my wife and I met him, we became even bigger fans of Jesse Dayton the person. We have continued to follow and watch his career just keep on going and rising. I highly recommend that music fans of any stripe read this book. Also, get out and see ol’ Jesse the next time he is in your town. You won’t be disappointed, as this dude brings it every single song of every single night.

I do not know what I can write about the Peter Jackson produced documentary the Beatles: Get Back that has not already been written. I choose to add to the title the Beatles: Get Back to Where They Once Belonged because this seems about as organic as it gets. Having had the chance to watch this over the last few weeks has been incredible. To be able to watch one of the, if not the greatest rock-n-roll bands behind the scenes is literally a dream come true, as we Beatle fans have been 

Growing Up With the Beatles

Most of us in the Western world grew up with The Beatles music. Even those of us born after they broke up could feel their influence. I readily admit, I was a Beatles freak in high school. I could not get ehttp://www.georgeharrison.comnough of their music. And, this was the pre-Internet days when you either mail ordered compact discs, bought vinyl at used stores or flea markets, or just bought what the local music stores had in stock. I can remember having my hear set on buying Abbey Road only to settle for Hard Day’s Night because that is all that the store had. Not that I didn’t love their early stuff, as well. It got so bad that on high school band trips, my friends and I blared so much Beatles music that many students would shift to other buses to avoid us. 

Takeaways from the Documentary

  1. Being in a Band is Hard – If you have ever been in a band, you know how hard it can be to balance literally everything. Egos, schedules, singers, songs, dates, tours, merchandise, photos – you name it, it gets out of hand quickly because the members are people.  The Beatles are no different. Watching the frustration on George Harrison’s face when he tries to pitch his songs and his ideas is truly tough to watch for anyone that has had the same pain. Also, as Paul McCartney tries to guide the band through the deadline of learning new songs in time for a live performance, it is clear that his vision is not being seen. Ringo Starr seems aloof at times, but he is definitely a key to make everything happen. John Lennon is also a leader and is the balance between the other members. But, the overall lesson is that it is hard to be in an equal share partnership like a band. It is why so many bands meet the same fate as the Beatles. 
  • Creative Processes are Fascinating – watching the Beatles: Get Back to Where They Once Belonged allows us to see songs that we have heard over the years be written and edited on the spot. Roadie Mal Evans is a hero for watching out for the needs of the band and even jotting down lyric changes. To see these virtuosos play with songs, melodies, and chords is refreshing for any artist that has gone through creative challenges. Even seeing the doubt that they had at times allows for aspiring artists to realize that every creative process is different and has its own set of unique challenges. At one point, the Beatles consider older material that they haven’t recorded due to creative block. 
  • No One Wants to See the Sausage Get Made, Unless It is the Beatles – The mundane rehearsals, the hours put in, the fights, the challenges mentioned above can be cumbersome at times to watch. However, because it’s the Beatles, it is beyond fascinating. I once received some advice when I remarked to a friend that I was “weary of the small details,” and my friend replied, “Life is nothing but small details stitched together.” It is so true and makes it so interesting to watch. 

Grateful for it All

All in all, this documentary reminds me, yet again, why I have missed live music so much during the pandemic. While some shows have started back up, many are not happening due to the resurgence of the Omicron variant. 

I’m grateful the Beatles opened the vault and took us all back to where they once belonged. The songs here speak for themselves and are classics: “Get Back,” “Don’t Let Me Down,” and “One After 909” are the standouts to me. This documentary shows what happens when greatness gets backed into a corner. We all get to benefit while the Beatles: Get Back to Where They Once Belonged. 

It is that time again for my picks for Chris Davis’s 2021 Albums of the Year. These are not in any particular order and are the ten best, in my opinion. I am sure they will be some left out, but I always factor in what I listened to most and what stands out to me as I look back. So, here goes:

  1. Bob Dylan, The Bootleg Series, Volume 16: Springtime in New York – I have written extensively about this set. The early 1980s for Bob Dylan have been much maligned by a lot of critics, but I always found the albums represented here to hold up against the hands of time. Particularly, Empire Burlesque is a solid record with many great songsGo back and give this era a listen. You will not be disappointed. 
  2. Bruce Springsteen and the E Street Band: The Legendary No Nukes Concerts – This live album took me back to the first time I saw the Boss in Dallas. While many years after this show, the energy was still the same. Bruce and boys and girls from E Street create a feeling that contagious and gets you ready to dance. “Legendary” is not hyperbole here. “Badlands,” “The Promised Land,” “Born to Run,” and “Jungleland” all shine. 
  3. Chrissie Hynde: Standing in the Doorway – Ms. Hynde made a splash during the early days of the pandemic with live shows and releases of Bob Dylan classics and covers. This albums fantastic and conveys the heartache, mysticism, and longing that is Dylan to the core. The title track from Time Out of Mind along with “Don’t Fall Apart on Me Tonight,” “In the Summertime,” and “Every Grain of Sand” are true standouts, but the whole album is awesome. 
  4. Emmylou Harris and the Nash RamblersRamble in Music City Another album that I previously reviewed. It reminds us how great Ms. Harris is and how she surrounded each era of her career with top notch musicians that match her ability to sing, write, and choose material that reaches back and takes us forward at the same time. 
  5. James McMurtryThe Horses and the Hounds – New music from one of the best songwriters around captivated longtime fans like myself. I have heard it described as a “California feel,” but I am willing to follow this guy to the ends of the earth, as he seeks to find the great American song. (Spoiler alert: he has probably already written it.) “What’s the Matter Now” is so catchy that I have been singing it ever since first hearing it. 
  6. Cooley, Hood, & Isbell: Live at the Shoals Another previously reviewed collection of great songs. 
  7. Neil Young and Crazy Horse: Barn – A new studio album from Neil and the Horse – count me in! This album stacks up to previously releases. I know I am a fan, but the Horse and Neil are soundtracks to my life. “Don’t Forget Love” and “Canerican” are my favorites. Keep on rockin’ in the free world, Bernard Shakey.
  8. Rodney Crowell: Triage – Mr. Crowell sometimes gets forgotten or overshadowed, but is a true singer-songwriter legend, and this new collection shows that he still has the goods to make his claim today. I saw him on the Outlaw Country Cruise a few years ago, and he still rocks live, too. The title track along with “Transient Global Amnesia Blues” stand out to me. 
  9. Shannon McNally: The Waylon SessionsIt takes guts to do a full album of Waylon Jennings covers, and Ms. McNally has the guts to do it. She brings the songs home and owns them. The Rodney Crowell penned “Ain’t Livin’ Long Like This,” and “You Asked Me To” soar to Outlaw Country heights. Check her out today!
  10. Steve Earle & The Dukes: J.T. –Mr. Earle’s poignant tribute to his deceased son Justin Townes Earle makes you want to tap your feet, shout, and cry. It is a terrible loss to the world in general, but especially the music world. However, Steve does a more than admirable job of paying respectful homage. This album ranks up with other memorial albums that SE has done in recent years: Townes and Guy. “Champagne Corolla” and “Harlem River Blues” are standouts. 

Well, there you have it – Chris Davis’s 2021 Albums of the Year. Here is hoping that 2022 will be a great year for music and a great year for you and your family and friends. I wish you all blessings, peace, health, and love. 

On Bob Dylan’s Springtime In New York: The Bootleg Series, Vol. 16 (1980-1985), the king troubadour is looking back at a period of his career that is much maligned and often ignored. This project clearly is the 1980s Revisited and Bob Dylan’s Latest effort to pull back the curtains and let his fans get a true picture of what was going on in his creative process and his mind as he navigated a career of multiple highs and critically acclaimed lows.

I know I make a lot of admissions in these columns of my personal preference and nothing will be new about that in this column. I’ve always been a huge fan of the Dylan album “Empire Burlesque.” There are so many great songs on that album that when I heard this version of the Bootleg Series was coming out, I was very excited. One of my favorite songs is the ballad “Emotionally Yours.”

Furthermore more, the three album arc on this set includes outtakes from two other underrated albums “Shot of Love” and “Infidels.” Both albums have songs they’re known for, but they tend to get lost between the power house albums of the pre-Christian mid-1970s and the comeback records of the late 1990s early 2000s.

The Albums Broken Down

The first disc starts off with rehearsal outtakes of several older Dylan songs and some covers, as well. “Señor (Tales of Yankee Power)” kicks of the disc and then the rehearsal moves through other Dylan gems. This disc would be more than enough for me, but it’s just the appetizer. There are also some interesting covers on this disc, as well including “Sweet Caroline” and “Abraham, Martin, & John.”

Disc two delves into “Shot of Love.” Knowing either lovingly or disparagingly by fans as “the last Christian record” of Dylan’s evangelical era. I can remember some great live versions of “In the Summertime” back in the 2000s featuring Larry Campbell on mandolin. But, alas, it is not featured on this set. There are great versions of “Lenny Bruce,” “Borrowed Time,” and “Is It Worth It?” Also, another interesting cover is featured here which is the Hank Williams classic “Cold, Cold Heart.”

On disc three, “Infidels” is the subject matter, and this disc really delivers. “Jokerman” is a classic, and the version here gives it new life. One of my all-time favorite tunes, which didn’t make the original album, “Blind Willie McTell” is featured in a faster version than has been played live in recent years. And, there are two great takes of “Don’t Fall Apart on Me Tonight.”

The fourth disc in this set contains more outtakes from the “Infidels” sessions and again there are some remarkable covers. Many musicians want to try songs in the studio and use them to get the band warmed up and look for cohesiveness. The old Porter Wagoner favorite “Green, Green Grass of Home,” “Angel Flying Too Close to the Ground,” and “Union Sundown” make we wonder if at some point, there would (or in my opinion should) be Bootleg Series edition dedicated to covers.

The final disc tackles the aforementioned “Empire Burlesque,” and it is truly remarkable to hear these versions. “I’ll Remember You,” “Seeing the Real You At Last,” and “Emotionally Yours” are songs that stand the test of time. This makes me really want to go back and dig through the deep catalog of Dylan during the 1980s and work some of these tunes up myself.


While I was excited for this box set to come out, I was not sure how solid the complete set would be. Let me be clear – I was blown away by how powerful it is from beginning to end. It is a great study of this time period of Dylan’s career and can be a good way to view some of his newer works. The set is highly recommended to music fans of all ages and interests as it truly is the 1980s Revisited, Bob Dylan’s Latest.

Album Cover for Emmylou Harris and the Nash Ramblers: Ramble in Music City.

Every so often, there’s an unreleased recording that really is a gem. That term “gem” gets thrown around a lot, but with the release of Emmylou Harris and the Nash Ramblers: Ramble in Music City, it’s proven true.

I make no bones about it, I am a huge Emmylou Harris fan. One of my favorite albums is the Live at the Ryman album. I once saw a Nash Rambler reunion at the Oklahoma International Bluegrass Festival in Guthrie, OK hosted by Byron Berline. Her connection with Gram Parson at the beginning of her career is a huge influence. This led to her connection to the Louvin Brothers. These foundations in music prove all roads lead back to Emmylou for me. She’s one of the pillars of country music and a Country Music Hall of Famer. It should be noted that we had a beloved dog named Emmylou that lived a beautiful 19 years.

A Trip Back in Time

This album takes listeners back in time 30 years ago to the Tennessee Performing Arts Center. From the opening number of Bill Monroe’s classic Roses in the Snow to the last note of Boulder to Birmingham, listeners are kept on the edge of their seat. Classic tunes and covers include The Boxer (Paul Simon), Two More Bottles of Wine (Delbert McClinton), If I Needed You (Townes Van Zandt), and Leaving Louisiana in the Broad Daylight Daylight (Rodney Crowell). My favorite cut on the album is, not surprisingly, If I Could Only Win Your Love a Louvin Brothers classic. Having known Charlie Louvin personally, this cut always gets to me, and Emmylou does a phenomenal version of it.

The Band

The Nash Ramblers were/are one awesome ensemble of outstanding musicians. This iteration featured virtuoso Sam Bush (fiddle, mandolin, vocals), everyone’s bluegrass go to the late Roy Huskey Jr. (bass), Larry Atamanuik (drums), Al Perkins (dobro, banjo, vocals), and Jon Randall Stewart (acoustic guitar, mandolin, vocals). This group was a perfect transition for Emmylou from the Hot Band. Listeners will enjoy this trip back in time and at the same time feel the connection across the years of the music world.


Give this album a listen. It will make you smile and also make you remember a time when we took live music for granted. The power in the songs of this Find of the Year: Emmylou Harris & the Nash Ramblers will transform how and what you are listening to today.

Bob Dylan performs during Shadow Kingdom.

It was clear that it would be huge when the word came out that Bob Dylan would be performing in his first virtual concert on July 18th, 2021. It was titled Shadow Kingdom: and clearly Bob Dylan is Back. While the description of the show said he would have an opportunity to perform songs off his latest album “Rough and Rowdy Ways,” instead Dylan opted for a pre-recorded set of deep catalog songs, many of which have not been performed for years. In any case, it was awesome to have Bob back.

Clocking in at under an hour, fifty minutes to be exact, this 13-song set that was shot in black and white proved that Bob has had time to rest his vocal chords during the pandemic, as his voice sounded great. Set in a jazz club/speakeasy vibe, with audience members smoking and a completely new set of musicians backing him, Bob also featured new arrangements of many of the songs. Anyone that has followed Dylan over the years knows that this is nothing new as he has been rearranging his songs forever. Whether it’s a natural evolution or just boredom of the road, you can count on Bob to come up with different interpretations on almost every leg of each tour.

The setlist included these songs:

  • When I Paint My Masterpiece
  • Most Likely You Go Your Way and I’ll Go Mine
  • Queen Jane Approximately
  • I’ll Be Your Baby Tonight
  • Just Like Tom Thumb Blues
  • Tombstone Blues
  • To Be Alone with You
  • What Was it You Wanted (from Oh Mercy)
  • Forever Young
  • Pledging My Time
  • Wicked Messenger
  • Watching the River Flow
  • It’s All Over Now Baby Blue

Particular highlights to me included “When I Paint My Masterpiece,” “Queen Jane Approximately,” “Tombstone Blues,” and “Pledging My Time.” The concert was highly entertaining and with editing, it moved rapidly between songs. There was a notation that this was the first volume, so the assumption could be that there will be other editions. However, Dylan’s autobiography “Chronicles” also said Volume 1 on it, and it came out in 2004 without a peep about the second volume since.

Shadow Kingdom was a fun event to participate in and be a part of, and it was satisfying to sit back and appreciate the 80 year old bard’s stage presence, phrasing, and overall slyness in performing in this medium. It reminded me of what I’ve been missing and how much I can’t wait to get back out there and see some live music. Let’s beat this pandemic and get back to normal and get back to concerts!

Cover Art

Cooley, Hood, & Isbell Together Again – and I’ve got the goods to prove it!

The Song that Started it All For Chris

I’ve been a huge fan of Drive-by Truckers since I was driving through a Nashville cemetery back in 2003 or 2004 looking for Roy Acuff’s grave when “My Sweet Annette came on my radio. I about wrecked the car. It was like nothing I’d heard before, and I wanted more. I immediately left the cemetery and headed to a local record store in Madison, TN and found a copy of the album “Decoration Day” and also picked up a copy of “The Dirty South.” Both records changed my life. When I heard that a new release Thirty Tigers would be featuring a reunion show of the three main songwriters and singers for the band from that era, I had to have a copy.

Info about the Record

Released by Thirty Tigers, this album “Live at the Shoals Theatre” documents a reunion show between the three from June 15, 2014. Much has been written about Jason Isbell leading the band, and it’s not my purpose to rehash that here. Having been in a band myself, I know that people and tastes evolve, and it sometimes gets the point that a change is needed. Jason’s gone on to a meteoric rise and DBT has continued to churn out great music, as well. It’s been a things of beauty for fans to witness the creative output.

This show has all the great songs and is played in a songwriter in the round format. It’s pure joy to listen to, as the sound quality is great, and the artists are clearly enjoying themselves. Nothing is worse for music than for people to produce it together and to hate every minute of doing it. Been there, done that. It sucks the creativity and fun out of the room. This show is the complete opposite.

Song Highlights

“My Sweet Annette,” the song that hooked me to begin with his here. Other highlights include “Outfit,” “Puttin’ People on the Moon,” “Heathens,” “Danko/Manuel,” and “Zip City.” I put this album on in my back room when it came in, and I listened to it without being distracted by anything else. I was absorbed in the music, and that’s how it should be. I know that the pandemic has caused me to have withdrawals for live music, but live albums like this can get you close to the feeling.

Check this album out for a fun collaboration through people that clearly love playing music with each other and songs that still stand the test of time. Cooley, Hood, & Isbell – Together Again, and it is magical!

Cover Art for Surrounded by Time
Album Cover – Surrounded by Time

Tom Jones is back, and yes, I’m writing about him. I was listening to Outlaw Country on Sirius XM awhile back when I heard a song that sounded very familiar. It was the song “Talking Reality Show Blues.” But, it was way more funky and included sound effects than the Americana version I was familiar with. I had first heard this song from the songwriter’s original version. That songwriter, of course, is the great and cosmic Todd Snider.

However, this new version of the song grabbed me. I had to double check via Google that I had heard correctly and that the song had been done by Tom Jones. It certainly sounded like him, but this was different than anything I’d heard from Tom “What’s New Pussycat” Jones! I had to find out more.

I sought out the cut on YouTube, and that led me to the 2021 album Surrounded by Time. The Ethan Johns produced album was recorded just before the pandemic was officially confirmed to be upon us in early 2020, but the release was held until 2021. It’s an action packed album full of great songs. John’s product and Jones’s performance are fantastic and produce something unique that makes one stop and want to know more.

Album Highlights

The aforementioned “Talking Reality Show Blues” was the first single and is really the standout tune. Snider was album to percolate down where we are in society and how we got to the point of the former president of the United States. Other standout tunes are the Bob Dylan Desire cover of “One More Cup of Coffee,” Tony Joe White‘s “Ol’ Mother Earth,” and the Cat Stevens’s penned “Pop Star.” All that being said, the whole album merits a listen. I bought a physical copy because that just me, but if you stream, go seek out this album and these cuts. You won’t be disappointed.

He’s Still Got It

At 80 years young, Tom Jones still has it, and I can distinctly say that Tom Jones is back, and I’m writing about him. He’s a unique cat that can combine singing, performance, and artistic license to create true art. I never thought I’d be writing a blog about him, but I’m better for having heard this album. It also made me want to go re-listen to his earlier work. He’s still performing and still delivering. Thanks, Tom!

Kris Kristofferson and friends perform on the Outlaw Country Cruise 5 2020

Previously, I’ve blogged about what live music means to me, but with this blog, I will outline specifically What Chris is Missing about Live Music. Of course, Chris is me, but it could be you, as well. Are you missing live music as much as I am? Do you promise yourself you won’t take it for granted again? I know that I do. What will the post-pandemic music scene look like? Will shows be as prevalent as they were before? Will small venues re-open? There are lots of things to consider. But, below is what I’m most looking forward to…providing everyone gets their vaccines, and we stamp this virus out.

The Never Ending Tour

I’ve seen Bob Dylan over the years more than 30 times. It usually involved at least one show a year. At the most, it would be between a year or a year and a half between shows. Bob changes the setlist and the arrangements of his work so often that each show is different, so it is crazy good. I always feel like I’m seeing an old friend whether the show is at the Beacon Theater in New York City or a casino show. I’m hoping Bob is still charged up about getting back out on the road and looking forward to seeing him some time soon.

The Horse Rides Again

Here’s hoping that Neil Young and Crazy Horse are back on the road again, as well. I recently wrote about their 1990 live album Way Down in the Rust Bucket and listening to that album made me want to see them again even more. Poncho has retired to Hawaii, but early and frequent Neil collaborator and E Street band member Nils Lofgren has stepped in and the Horse will be stronger than ever.

Singer-Songweriter Shows

Oklahoma City is well known for a great venue called the Blue Door that is super intimate and limited seating. There are several other similar (but in my opinion not nearly as good) venues all over the USA. Listening to a singer-songwriter bear their soul and getting to see them in a great venue like this is well worth your time. The last show I saw at the Blue Door was Ramblin’ Jack Elliott. Find one of these close to you and check it out.


There are festivals for just about every type of music out there. They can be overwhelming and too big for some people’s tastes. However, if you find the right festival that is in the genre that you enjoy, they can be a ton of fun. I’m looking forward to hitting some bluegrass festivals (maybe DelFest this year or next) and possibly some other music festivals/events like Willie Nelson’s 4th of July picnic. I’m excited for the Outlaw Country Cruise to return in February of 2022. It’s the 6th voyage and a festival at sea.

Medium and Smaller Theater/Venue Shows

I love these types of venues as well, and we are blessed in Oklahoma City and Tulsa to have a lot of these great venues. Cains Ballroom, VZDs, the Tower Theater, and the Tulsa Theater are just a few of these. Some times, I have been surprised by a show being added to one of these venues at almost the last minute. It gives music fans the chance to catch a great band or artist in your own town. The Bottle Rockets added a show a couple of years ago, and it was great to be able to catch them.

The Bottom Line

We are hopefully soon going to be through the worst of the pandemic. Hopefully, everyone gets vaccinated, and live music makes a big comeback. Once these things happen, let’s get out and support artists and venues. What Chris is Missing about Live Music the most is the music.